Silver in Turkish Art
by Mehmet Zeki KusogluIn this study, some of the author’s beautiful silver works are presented along with those from the Ottoman period.
- Paperback
- : Jan 1, 2015 • 128 Pages • 22 x 24 • ISBN 9781935295686
- Categories
- : Art & Photography, Backlist, History,
DESCRIPTION
TABLE OF CONTENTS
| FOREWORD | 7 |
| INTRODUCTION | 9 |
| I. DÖVÜCÜLÜK (BEATING) | 12 |
| a. Making Silver Sheets | 12 |
| b. Shaping Artifacts | 16 |
| II. KALEMKÂRLIK (HAND ENGRAVING) | 22 |
| a. Sade Kalem (Engraving) | 24 |
| b. Mühürcülük (Seal Engraving) | 28 |
| c. Savat (Niello) | 34 |
| III. KESMECİLİK (OPENWORK) | 40 |
| a. Delik Work Using a Chisel | 42 |
| b. Delik Work Using a Fretsaw | 42 |
| IV. KAKMACILIK (INLAYING) | 48 |
| a. Kabartma-Çökertme (Hammering and Punching) | 48 |
| b. Silver Kakma-Çakma on Metal | 52 |
| 1. Soğuk Kalem Method | 52 |
| 2. The Etching Method | 55 |
| c. Silver Kakma-Çakma on Wood: Tenzil | 55 |
| V. TEL İŞLERİ (WIREWORK) | 68 |
| a. Telkârî (Filigree) | 68 |
| b. Hasır Örgüsü | 77 |
| VI. MIHLAMA (PINNING) | 78 |
| B. Other Techniques Applied to Silver | 83 |
| a. Tombak | 83 |
| b. Silver Casting | 90 |
| c. Making Steel Dies: Stamping | 94 |
| Wheel Work - Aznavur Art | 99 |
| Silver Art and Simkeşhane | 103 |
| VII. GÜHERSE (DECORATIVE BEADING) | 108 |
| GLOSSARY | 120 |
| BIBLIOGRAPHY | 128 |
ABOUT AUTHOR
He was born in Gaziantep, Turkey in 1943. He moved to Istanbul in 1949. He graduated from the state College of Applied Fine Arts, and received a state grant, with which he went to Germany for postgraduate studies in 1964. He was interested in Turkish, Islamic, and Eastern art while conducting research in the museum and libraries in Germany and other European countries. He was back to Turkey in 1969. He contacted the masters living in Turkey to develop his practical skills, in addition to expanding his theoretical knowledge. He was particularly interested in wood, stone, and metal arts. He held exhibitions, published articles, and books, and gave seminars, teaching his classical and modern interpretations of these arts. He made more than 100 presentations in national and international conferences. He held more than 70 exhibitions in Turkey and abroad, and participated in many group exhibitions. He has more than 14 books.
